Audiovisability: the project that drove my creativity

For three months last year, I was an artist and writer with Audiovisability, supporting their research and development (R&D) project funded by Arts Council England.

The project revolved round deaf Para-dressage rider Laurentia Tan, a multi-medal winner who has been competing in Paralympic and global sports events for ten years – and yet has never won gold. It came about due to her growing frustration over barriers to participating in individual freestyle, the only dressage test set to music.

My role was to shadow her in a variety of ways – online discourse, information-sharing meetings, interviews, flying to Cologne for a weekend – and combine that with my own research and development, eventually writing a report accompanied by my own drawings. The result can be viewed here, with a shorter version on Disability Arts Online here.

Laurentia has cerebral palsy. It was for that reason – among others – that Audiovisability’s creative director, Ruth Montgomery, invited me to take part. I am, after all, a parent to a child with cerebral palsy who has explored that road through my blog and my Kindle book, My Daughter and I, which can still be downloaded from Amazon UK. Besides Laurentia and I had been wanting to meet for years – almost since my daughter Isobel was diagnosed at age one in 2010, just after the sportswoman had entered competitive dressage.

Audiovisability therefore facilitated a precious moment where, Laurentia paid us a personal visit and lent Isobel her latest silver medal, won at the 2018 World Equestrian Games, to wear for a photo opportunity. I can’t overstate how significant this was for my child’s self-confidence, for her younger non-disabled brother to witness this, and how proud I felt that day.

Meanwhile Ruth sought to both bring the R&D to a wider audience through a variety of creative disciplines, with music at its core, and use it as an unique opportunity for the artists to build on existing skills and expertise.

So not only did Laurentia boost her music literacy through a combination of music lessons and collaborative discourse – but as one of the contributing artists, addressing a subject that I knew very little about enabled me to spawn a new writing language; which in turn, also pushed my drawing into a more innovative, almost allegorical style.

Given the almost polarised demands of the two strands – bombarding my mind with structural, grammatical thought for long periods of time (even when taking a coffee break!), and then switching to freeform drawing – it was possibly the most challenging and intensely creative task I’d taken on.

Nevertheless, it provided an invaluable opportunity to drive both forms of creativity to new places, transforming my art and my writing as a whole. This new development will be crucial in realising an ambition that I have of producing illustrated children’s books in future.

I am privileged to have worked alongside such a wonderful bunch like the Audiovisability crew, and I look forward to more collaborative work with them. Indeed we are planning for workshops, funded by Decibels, to take place at the PACE Centre in Aylesbury later this year, which will explore similar dressage music themes with their students.

May I extend deep thanks and appreciation to Ruth Montgomery, fellow musician and producer Eloise Garland, sound designer Chris Bartholomew-Fox, German dressage coach Volker Eudel, film director Louis Neethling and most of all, Laurentia Tan and her mother Jannie, for their kindness, patience and time.

Experimental animation with Short Circuit

Brighton, where the Short Circuit weekend took place.
Brighton, where the Short Circuit weekend took place.
Last June I took part in Short Circuit, a weekend of creative development in digital media funded by Arts Council England spent working with a variety of deaf and disability artists and animators.

The weekend was an opportunity for artists to explore ideas in the realm of digital media, thus bringing disability arts into 21st century technology.

In collaboration with Dave Packer of Sheepfilms, I made a short animated prototype of myself as a not-so-superheroine living in a world of Squares (ie. mainstream people), drawing inspiration from my blog, The Mostyn-Thomas Journal.

This is what we came up with:

At the moment I’m not sure where to take this idea, but do keep checking back for updates.

Prior to the weekend all the artists were asked to select a digital master piece and explain why. Read my contribution here.

I was also interviewed on film about Short Circuit, explaining my reasons for getting involved:

Commission: deafauntie

I have been commissioned to manage deafauntie, the brand-new agony aunt blog from Laraine Callow.

The blog aims to address a new deaf-related issue every week, and is for everyone. I also set up an associated Facebook page and Twitter account by way of promoting the blog, and have so far attracted 679 views in the first few days.